Big Brother is watching you in the Plaza de George Orwell, Barcelona
baubles of my mind's eye: Good news, everyone!
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Reblogged from resmc with 19,913 notes
The Panopticon (“all-seeing”) functioned as a round-the-clock surveillance machine. Its design ensured that no prisoner could ever see the ‘inspector’ who conducted surveillance from the privileged central location within the radial configuration. The prisoner could never know when he was being surveilled — mental uncertainty that in itself would prove to be a crucial instrument of discipline.
French philosopher Michel Foucault described the implications of ‘Panopticism’ in his 1975 work Discipline & Punish: The Birth of the Prison —
“Hence the major effect of the Panopticon: to induce in the inmate a state of conscious and permanent visibility that assures the automatic functioning of power. So to arrange things that the surveillance is permanent in its effects, even if it is discontinuous in its action; that the perfection of power should tend to render its actual exercise unnecessary; that this architectural apparatus should be a machine for creating and sustaining a power relation independent of the person who exercises it; in short, that the inmates should be caught up in a power situation of which they are themselves the bearers.
To achieve this, it is at once too much and too little that the prisoner should be constantly observed by an inspector: too little, for what matters is that he knows himself to be observed; too much, because he has no need in fact of being so. In view of this, Bentham laid down the principle that power should be visible and unverifiable. Visible: the inmate will constantly have before his eyes the tall outline of the central tower from which he is spied upon. Unverifiable: the inmate must never know whether he is being looked at at any one moment; but he must be sure that he may always be so.
In order to make the presence or absence of the inspector unverifiable, so that the prisoners, in their cells, cannot even see a shadow, Bentham envisaged not only venetian blinds on the windows of the central observation hall, but, on the inside, partitions that intersected the hall at right angles and, in order to pass from one quarter to the other, not doors but zig-zag openings; for the slightest noise, a gleam of light, a brightness in a half-opened door would betray the presence of the guardian.
The Panopticon is a machine for dissociating the see/being seen dyad: in the peripheric ring, one is totally seen, without ever seeing; in the central tower, one sees everything without ever being seen.”
Reblogged from solitaryforager with 62 notes
Robbie Rowlands, The Upholsterer - Kitchen Depot Exhibition, 2008, 1950’s house Grenda’s Decomissioned Bus Depot - Depot Exhibition
Reblogged from vermaphrodite with 102 notes
